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Priceless Jazz 23: Billie Holiday

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Billie Holiday comp. Arthur Herzog Jr. and Billie Holiday

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Priceless Jazz 23: Billie Holiday

Download Priceless Jazz 23: Billie Holiday by Billie Holiday comp. Arthur Herzog Jr. and Billie Holiday
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Priceless Jazz 23: Billie Holiday

Billie Holiday comp. Arthur Herzog Jr. and Billie Holiday UMG
Released: Feb 20, 2008
1

On The Sunny Side Of The Street

  by  Billie Holiday comp. Dorothy Fields and Jimmy McHugh
Time: 3:05     Size: 4MB
2

That Ole Devil Called Love

  by  Billie Holiday comp. Doris Fisher and Alan Roberts
Time: 2:54     Size: 4MB
3

Yesterdays

  by  Billie Holiday comp. Otto Harbach and Jerome Kern
Time: 2:59     Size: 4MB
5

Solitude

  by  Billie Holiday comp. Eddie Lange, Irving Mills and Duke Ellington
Time: 3:14     Size: 4MB
6

Baby Get Lost

  by  Billie Holiday comp. Billy Moore and Leonard Feather
Time: 3:15     Size: 5MB
8

What Is This Thing Called Love

  by  Billie Holiday comp. Cole Porter
Time: 3:06     Size: 4MB
9

Them There Eyes

  by  Billie Holiday comp. Maceo Pinkard, Doris Tauber and William Tracey
Time: 2:51     Size: 4MB
10

As Time Goes By

  by  Billie Holiday comp. Herman Hupfeld
Time: 3:14     Size: 5MB
11

I'm Yours

  by  Billie Holiday comp. John Green, John W. Green and Edgar "Yip" Harburg
Time: 3:23     Size: 5MB
12

You're My Thrill

  by  Billie Holiday comp. Jay Gorney and Sidney Clare
Time: 3:25     Size: 5MB
13

No Good Man

  by  Billie Holiday comp. Sammy Gallop, Dan Fisher and Irene Higginbotham
Time: 3:23     Size: 5MB
14

Lover, Come Back To Me

  by  Billie Holiday comp. Sigmund Romberg and Oscar Hammerstein II
Time: 3:15     Size: 5MB
15

Billie's Blues

  by  Billie Holiday comp. Billie Holiday
Time: 3:29     Size: 5MB
16

Somebody's On My Mind

 
Time: 2:57     Size: 4MB

-= Featured Artist | kazaa.com =-

The Beyonce Experience


Beyoncé is the epitome of a woman. She’s our generation’s Aretha, demanding respect, fiercely proud of her womanhood, her feminine independence and her body. You could even say she’s reinstalled a long forgotten perception of beauty in the media. After too many decades of flat chests, chicken legs and protruding bones on MTV, Beyonce reminds us that that women are meant to be rounded, wide hipped and fleshy. She has become a sex symbol, wrapping herself proclaimed ‘bootylicious’ body in sheer and torn skin-tight outfits and her performances are high energy provocative, although she manages to keep it tasteful. Originally known as the front woman of popular 90s group Destiny’s Child, Beyonce recently stepped out on her own as a solo artist, and she is now one of the most recognizable, well known and well paid artist in the R&B scene. Her debut album, Dangerously in Love (2003), sold over 317, 000 copies in its first week, and included the huge hit Crazy in Love, which spent eight weeks comfortably settled at #1 on the Billboard Hot 100. Beyonce’s second album, B’day, was released in 2006 and was inspired by her starring role in Dreamgirls. And then in 2008, she released I am… Sasha Fierce. Sasha is apparently Beyonce’s alter ego, the persona she takes out onto the stage. If I Were A Boy puts her in her boyfriends shoes. She’s Policeman Beyonce, going for beers with the guys, putting the baddies behind bars and declaring how she’d treat her significant other if she were of male persuasion. It’s a thought inducing gender-switch track, and a surprisingly original concept for the diva. We’ve seen her in camouflaged army gear belting out, Survivor, we’ve seen her rooting for the Independent Women’, single mothers, career girls, and ultimately, other pop stars. Boyence is a power woman and, hell yes, her boyfriend should know he’s replaceable. And if he didn’t want to lose it, then he probably should a put a ring on it. Mhm! She has sass and attitude and a feminist fury that makes the music work. The ultimate pop feminist, sending a message to teenage girls around the world that not only is it okay to embrace their femininity, but that they should be damn proud of it too.

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