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Album

Feedback Is Payback

Preview All Songs

Feedback Is Payback

1208 Warners

Released: Jan 29, 2008

1		1988 Time: 3:28 Size: 5MB
2		Lies That Lie Time: 2:33 Size: 4MB
3		Just Anyone Time: 2:46 Size: 4MB
4		Outside Looking In Time: 2:46 Size: 4MB
5		Scared Away Time: 3:08 Size: 4MB
6		Erase 'em All Time: 2:45 Size: 4MB
7		Pick Your Poison Time: 3:18 Size: 5MB
8		Jimmy Time: 2:54 Size: 4MB
9		Lightshow Time: 2:22 Size: 3MB
10		Retire Time: 2:22 Size: 3MB
11		Slowburn Time: 3:14 Size: 4MB
12		What I Saw Time: 2:40 Size: 4MB
13		Speak Easy Time: 2:29 Size: 3MB
14		Obstructure Time: 2:51 Size: 4MB

Feedback Is Payba...

2002

Turn Of The Screw

2004

-= Featured Artist | kazaa.com =-

P!NK M!ssundaztood

She’s a little bundle of punk attitude with an image that’s a bit in the ass of the world of entertainment. PINK doesn’t care, and she certainly doesn’t want you to think she cares. Or think she cares that you care. Which you don’t. Obviously. She doesn’t care about that either. She started off a pink pixie haired bike riding hipster. She had attitude from the beginning but felt that her first R&B orientated album, Can’t Take Me Home was a misrepresentation of her real self. The hit single of the album There You Go sounds like any of the other girly hip hop acts on the radio at the turn of the century. Her image was rectified with M!ssundaztood released only a year later. The pink hair was missing from the scene and the little hip hop wannabe was replaced with a strong, rock-chic act, which was ultimately a true expression of herself. The style is darker reminiscent of punk rock bands of the early millennium such as Green Day and No Doubt. Get the Party Started was Pink’s first dance song and she had fun with it inserting every scene-ish catch phrase she could possibly think of in the lyrics and using every wrong instrument in its production. It’s a fun track high on energy and the party-life but Pink still felt the song didn’t suit her so she went a bit darker with tracks like Don’t Let Me Get Me and Just Like a Pill. Don’t Let Me Get Me is a journey of the misfit. Starting in high school she explores her inner dark place, self doubt and feelings of loneliness and inadequacy. She’s harassed by her own reflection, and then harassed by the pretty-girl pop image the record companies tried to tack on to her. A circle being squeezed through a square, Pink popped right back out, declaring war against the pop princesses, not only becoming everything they weren’t but doing one better. Dissing them in her lyrics. The result is dark and raw, without getting angsty, and there’s just enough of the fun, punk rocky vibe to twist her sadness into frustration and anger you can bang your head to. ‘M!ssundaztood’ is her highest selling and most successful album to date. It gave us someone that we could respect on the charts, as well as identify with. She released Try This in 2003, and while it did well on the charts it couldn’t compete with her last album. She took a few years off and came back with the helpful reminder I’m Not Dead. She’s dirtier, and grittier and if possible angrier. She punches until her anger is drained in I’m not Dead and then there’s the beaut Stupid Girls in which Pink ingeniously pays out every teeny smutty airhead in Hollywood. You have an Olsen twin walking into a glass door, Paris and her sex-tape, Trailer Trash Britney giving her car a wash and lap dance, In Case of Emergency push-up bras and, my favourite line in the clip, ‘Oh my god, I totally had more than 300 calories today, it was SO not sexy’. She proceeds to stick the back end of a toothbrush down her throat to hit the gag reflex. You kinda wanna gag with her. She brings to attention everything that is wrong with women in the media today, and God, does she bring it. In 2008 she released Funhouse which takes a more sober, soulful direction, but it’s still our Pink, and she doesn’t disappoint. And with her raw in-your-face approach to music and songwriting and her lack of personal formula I doubt she ever will.

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