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NPR Milestones of the Millennium - The Music Stravinsky

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Various

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Album

NPR Milestones of the Millennium - The Music of Stravinsky

Download NPR Milestones of the Millennium - The Music of Stravinsky by Various
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NPR Milestones of the Millennium - The Music of Stravinsky

Various Sony
Released: Jan 18, 2000
1

Pater Noster

  by  Igor Stravinsky
Time: 1:45     Size: 3MB
2

L'Oiseau de Feu (The Firebird Suite): Lullabye (Firebird)

  by  Igor Stravinsky
Time: 3:54     Size: 5MB
3

L'Oiseau de Feu (The Firebird Suite): Final Hymn

  by  Igor Stravinsky
Time: 3:24     Size: 5MB
4

Introduction

  by  The Cleveland Orchestra;Pierre Boulez
Time: 3:36     Size: 5MB
5

Danses des adolescentes

  by  The Cleveland Orchestra;Pierre Boulez
Time: 3:20     Size: 5MB
6

Jeu du rapt

  by  The Cleveland Orchestra;Pierre Boulez
Time: 1:26     Size: 2MB
7

Rondes printanieres

  by  The Cleveland Orchestra;Pierre Boulez
Time: 3:53     Size: 5MB
8

Jeux des cites rivales

  by  The Cleveland Orchestra;Pierre Boulez
Time: 1:59     Size: 3MB
9

Cortege du sage

  by  The Cleveland Orchestra;Pierre Boulez
Time: 43s     Size: 1MB
10

L'Adoration de la terre

  by  The Cleveland Orchestra;Pierre Boulez
Time: 21s     Size: 506KB
11

Danse de la terre

  by  The Cleveland Orchestra;Pierre Boulez
Time: 1:20     Size: 2MB
12

Introduction

  by  The Cleveland Orchestra;Pierre Boulez
Time: 4:06     Size: 6MB
13

Cercles mysterieux des adolescentes

  by  The Cleveland Orchestra;Pierre Boulez
Time: 3:18     Size: 5MB
14

Glorification de l'Elue

  by  The Cleveland Orchestra;Pierre Boulez
Time: 1:32     Size: 2MB
15

Evocation des ancetres

  by  The Cleveland Orchestra;Pierre Boulez
Time: 35s     Size: 847KB
16

Action rituelle des ancetres

  by  The Cleveland Orchestra;Pierre Boulez
Time: 3:42     Size: 5MB
17

Danse sacrale - L'Elue

  by  The Cleveland Orchestra;Pierre Boulez
Time: 4:38     Size: 6MB
18

Rag-time for Eleven Instruments

  by  Esa-Pekka Salonen
Time: 4:22     Size: 6MB
19

Capriccio for Piano and Orchestra: III. Allegro capriccioso ma tempo guisto

  by  Philippe Entremont
Time: 5:28     Size: 8MB
20

Circus Polka

  by  Igor Stravinsky
Time: 3:29     Size: 5MB
21

Mass for mixed chorus and double wind quintet: Sanctus

  by  Igor Stravinsky
Time: 3:18     Size: 5MB
22

Ode (elegiacal chant in three parts) for Orchestra: III. Epitaph

  by  Igor Stravinsky
Time: 4:02     Size: 6MB
23

The Rake's Progress: "No word from Tom."

  by  Igor Stravinsky
Time: 5:40     Size: 8MB
24

The Rake's Progress: "I go to him..." (Cabaletta)

  by  Igor Stravinsky
Time: 2:52     Size: 4MB
25

Agon: Ballet for twelve dancers: Interlude

  by  Igor Stravinsky
Time: 50s     Size: 1MB
26

Agon: Ballet for twelve dancers: Bransle Simple

  by  Igor Stravinsky
Time: 58s     Size: 1MB
27

Agon: Ballet for twelve dancers: Bransle Gay

  by  Igor Stravinsky
Time: 54s     Size: 1MB
28

Agon: Ballet for twelve dancers: Bransle Double

  by  Igor Stravinsky
Time: 1:31     Size: 2MB
29

Agon: Ballet for twelve dancers: Interlude

  by  Igor Stravinsky
Time: 53s     Size: 1MB

-= Featured Artist | kazaa.com =-

Lilly Allen

What happens when the pretty, doll-faced daughter of a famous British comedian drops out of high school, deals E for a living, becomes famous on MySpace for a few original songs and then receives the creative freeway from a record company to release her own album?

Lily Allen happens. She started off on MySpace, reaped in the fans by marketing her own mix tapes, released her debut album on a 12” vinyl before the full CD came out… she’s the Little Brat That Could. With her debut single, Smile, a vindictive, horror revenge story with lollipop beats and a touch of eclectic soul, Lily won the BMI Songwriter of the Year award and became a full blown star. Her debut Album, Alright, Still, released in 2006, touched audiences with its mellow, bratty sweetness and a personal sense of irony. Lily speaks the everyday truth of the everyday lives of everyday women. From dealing with stony brothers to creeps at the bar, Lily’s little-sisterly passive aggression is dealt out with lyrical wit and bassy, eclectic sounds inspired by Jamaican ska.

Her video clips are full of her op-shop personality and Mockney charm. Abound with sweet little visual gags, stoner Muppets and bright, retro aesthetics, they reflect her genuine sense of self and her London Street Pop sound. The film noir video for Littlest Thing shows Lily’s darker side. It’s a melancholy, sweet and sad, with a classical melody and the usual sharp delivery of biting lyrics. Like all of her music, she’s emotionally authentic, without being angsty or emo. There’s almost a sense of 'morning after' apathy, like she’s already had a good cry, gotten trashed, and is telling the story as she nurses a hangover the next day- laughing dryly at the memory of her own misery. She’s also wicked honest about everything, on her MySpace, in interviews, and most importantly, in her music. It makes all the difference. Perhaps that is why she was voted third Coolest Person of the Year. She’s just plodding along, having a good time and treasuring the color of her life. Sweet of her to share it with us.

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