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Amore II - Great Italian Love Arias

by

Ileana Cotrubas;Sir John Pritchard;The Philharmonia Orchestra

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Amore II - Great Italian Love Arias

Download Amore II - Great Italian Love Arias by Ileana Cotrubas;Sir John Pritchard;The Philharmonia Orchestra
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Amore II - Great Italian Love Arias

Ileana Cotrubas;Sir John Pritchard;The Philharmonia Orchestra Sony
Released: Feb 01, 2000
1

O mio babbino caro from Gianni Schicchi

  by  Kiri Te Kanawa
Time: 2:26     Size: 3MB
2

Chi il bel sogno di Doretta from La rondine

  by  Kiri Te Kanawa
Time: 3:20     Size: 5MB
3

Quando m' en vo' soletta from La bohe`me

  by  Kiri Te Kanawa
Time: 2:33     Size: 4MB
4

Si`, mi chiamano Mimi` from La Bohe`me

  by  Eva Marton
Time: 4:47     Size: 7MB
5

Che gelida manina from La Bohe`me

  by  Luciano Pavarotti
Time: 4:19     Size: 6MB
6

Vissi d'arte from Tosca

  by  Kiri Te Kanawa
Time: 3:31     Size: 5MB
7

Un bel di, vedremo (Butterfly)

  by  Asayo Otsuka; Catherine Napoli; Choeurs de Radio France; Christopher Nomura; Constance Hauman; Daniel Zalay; Edmund Zelotes Toliver; Francois Polgar; Giuseppe Patane´; Jing-Ma Fan; Laurence Monteyrol; Michel Glotz; Munich Radio Orchestra; Ning Liang; Pro
Time: 4:14     Size: 6MB
8

Bimba dagli occhi pieni di malia (Pinkerton, Butterfly)

  by  Asayo Otsuka; Catherine Napoli; Choeurs de Radio France; Christopher Nomura; Constance Hauman; Daniel Zalay; Edmund Zelotes Toliver; Francois Polgar; Giuseppe Patane´; Jing-Ma Fan; Laurence Monteyrol; Michel Glotz; Munich Radio Orchestra; Ning Liang; Pro
Time: 10:33     Size: 15MB
9

Tu, che di gel sei cinta from Turandot

  by  David Mottley; Eva Marton; Giuseppe Patane´; Munich Radio Orchestra; Wolfgang Schreiner
Time: 2:25     Size: 4MB
10

La donna e` mobile from Rigoletto

  by  Luciano Pavarotti;Emerson Buckley;Symphony Orchestra Of Emilia Romagna "Arturo Toscanini"
Time: 2:02     Size: 3MB
11

"Caro Nome che il mio cor" From Rigoletto

 
Time: 5:13     Size: 7MB
12

Lunge da lei... De' miei bollenti spiriti... oh mio rimorso! from La traviata

  by  Marcelo A´lvarez
Time: 6:15     Size: 9MB
13

Celeste Aida From Aida

  by  Richard Tucker
Time: 4:32     Size: 6MB
14

Prendi, per me sei libero from L'elisir d'amore

  by  Andrea Rost
Time: 3:44     Size: 5MB
15

Una furtiva lagrima from L'elisir d'amore

  by  Marcelo A´lvarez
Time: 4:45     Size: 7MB
16

Quel guardo il cavaliere from Don Pasquale

  by  Andrea Rost; David Mottley; Jeremy Caulton; Royal Philharmonic Orchestra; Sir Charles Mackerras
Time: 5:57     Size: 8MB
17

Amor ti vieta from Fedora

  by  Luciano Pavarotti
Time: 1:48     Size: 3MB
18

Nessun dorma from Turandot

  by  Luciano Pavarotti
Time: 2:36     Size: 4MB

-= Featured Artist | kazaa.com =-

Lilly Allen

What happens when the pretty, doll-faced daughter of a famous British comedian drops out of high school, deals E for a living, becomes famous on MySpace for a few original songs and then receives the creative freeway from a record company to release her own album?

Lily Allen happens. She started off on MySpace, reaped in the fans by marketing her own mix tapes, released her debut album on a 12” vinyl before the full CD came out… she’s the Little Brat That Could. With her debut single, Smile, a vindictive, horror revenge story with lollipop beats and a touch of eclectic soul, Lily won the BMI Songwriter of the Year award and became a full blown star. Her debut Album, Alright, Still, released in 2006, touched audiences with its mellow, bratty sweetness and a personal sense of irony. Lily speaks the everyday truth of the everyday lives of everyday women. From dealing with stony brothers to creeps at the bar, Lily’s little-sisterly passive aggression is dealt out with lyrical wit and bassy, eclectic sounds inspired by Jamaican ska.

Her video clips are full of her op-shop personality and Mockney charm. Abound with sweet little visual gags, stoner Muppets and bright, retro aesthetics, they reflect her genuine sense of self and her London Street Pop sound. The film noir video for Littlest Thing shows Lily’s darker side. It’s a melancholy, sweet and sad, with a classical melody and the usual sharp delivery of biting lyrics. Like all of her music, she’s emotionally authentic, without being angsty or emo. There’s almost a sense of 'morning after' apathy, like she’s already had a good cry, gotten trashed, and is telling the story as she nurses a hangover the next day- laughing dryly at the memory of her own misery. She’s also wicked honest about everything, on her MySpace, in interviews, and most importantly, in her music. It makes all the difference. Perhaps that is why she was voted third Coolest Person of the Year. She’s just plodding along, having a good time and treasuring the color of her life. Sweet of her to share it with us.

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