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The Clash (US Version)/London Calling/Combat Rock (3 Pak)

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The Clash

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The Clash (US Version)/London Calling/Combat Rock (3 Pak)

Download The Clash (US Version)/London Calling/Combat Rock (3 Pak) by The Clash
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The Clash (US Version)/London Calling/Combat Rock (3 Pak)

The Clash Sony
Released: Jul 13, 2004
Number of Disks: 3

Disk 1

1

Clash City Rockers

 
Time: 3:57     Size: 5MB
2

I'm So Bored With The U.S.A.

 
Time: 2:23     Size: 3MB
3

Remote Control

 
Time: 3:00     Size: 4MB
4

Complete Control

 
Time: 3:12     Size: 4MB
5

White Riot

 
Time: 1:59     Size: 3MB
6

(White Man) In Hammersmith Palais

 
Time: 3:58     Size: 6MB
7

London's Burning

 
Time: 2:09     Size: 3MB
8

I Fought The Law

 
Time: 2:35     Size: 4MB
9

Janie Jones

 
Time: 2:04     Size: 3MB
10

Career Opportunities

 
Time: 1:51     Size: 3MB
11

What's My Name

 
Time: 1:41     Size: 2MB
12

Hate & War

 
Time: 2:05     Size: 3MB
13

Police & Thieves

 
Time: 6:00     Size: 8MB
14

Jail Guitar Doors

 
Time: 3:05     Size: 4MB
15

Garageland

 
Time: 3:09     Size: 4MB
1

London Calling

 
Time: 3:13     Size: 5MB
2

Brand New Cadillac

 
Time: 2:09     Size: 3MB
3

Jimmy Jazz

 
Time: 3:55     Size: 5MB
4

Hateful

 
Time: 2:47     Size: 4MB
5

Rudie Can't Fail

 
Time: 3:27     Size: 5MB
6

Spanish Bombs

 
Time: 3:18     Size: 5MB
7

The Right Profile

 
Time: 3:53     Size: 5MB
8

Lost In The Supermarket

 
Time: 3:47     Size: 5MB
9

Clampdown

 
Time: 3:50     Size: 5MB
10

The Guns Of Brixton

 
Time: 3:12     Size: 4MB
11

Wrong 'Em Boyo

 
Time: 3:10     Size: 4MB
12

Death Or Glory

 
Time: 3:55     Size: 5MB
13

Koka Kola

 
Time: 1:49     Size: 2MB
14

The Card Cheat

 
Time: 3:50     Size: 5MB
15

Lover's Rock

 
Time: 4:03     Size: 6MB
16

Four Horsemen

 
Time: 3:00     Size: 4MB
17

I'm Not Down

 
Time: 3:00     Size: 4MB
18

Revolution Rock

 
Time: 5:36     Size: 8MB
19

Train In Vain

 
Time: 3:11     Size: 4MB
1

Know Your Rights

 
Time: 3:39     Size: 5MB
2

Car Jamming

 
Time: 3:58     Size: 6MB
3

Should I Stay Or Should I Go

 
Time: 3:06     Size: 4MB
4

Rock The Casbah

 
Time: 3:40     Size: 5MB
5

Red Angel Dragnet

 
Time: 3:48     Size: 5MB
6

Straight To Hell

 
Time: 5:30     Size: 8MB
7

Overpowered By Funk

 
Time: 4:55     Size: 7MB
8

Atom Tan

 
Time: 2:32     Size: 3MB
9

Sean Flynn

 
Time: 4:30     Size: 6MB
10

Ghetto Defendant

 
Time: 4:45     Size: 7MB
11

Inoculated City

 
Time: 2:43     Size: 4MB
12

Death Is A Star

 
Time: 3:08     Size: 5MB

-=Featured Artist=- | -= Kazaa.com=-

Hey P!nk! it's me.


My name is Emanuel remember Hug Day in Doylestown,PA. Remember hanging out at the “barn” “apartment” “pebble hill”  so we hungout with and knew P!nk growing up. Born Alecia Moore on September 8, 1979,  in Doylestown, PA, P!nk received her nickname as a child, years before she dyed her hair.

P!nk grew up in a musical family and was a regular on the Philadelphia club scene by the age of 13, first as a dancer and then as a backing vocalist for the local hip-hop group Schoolz of Thought. At 14, she began writing her own songs; the same year, a local DJ at Club Fever began inviting her on-stage to sing a song every Friday. P!nk was spotted one night by an executive for MCA Records, who asked her to audition for an R&B group called Basic Instinct. Although P!nk's strong vocals landed her the gig, the group imploded not long after.

She was quickly recruited for a female R&B trio called Choice, which signed to L.A. Reid and Babyface's LaFace  label on the strength of their demo; however, they too disbanded due to differences over musical direction.  During Choice's brief studio time, producer Daryl Simmons asked P!nk to write a bridge section for the song "Just to Be Loving You." Impressed with the results, P!nk rediscovered her songwriting muse, and an equally  impressed L.A. Reid soon gave her a solo deal with LaFace. P!nk recorded her solo debut, Can't Take Me Home,  with a variety of songwriting partners and dance-pop and R&B producers. Released in 2000, the album was a double-platinum hit; it spun off three Top Ten singles in "There U Go," "Most Girls," and "You Make Me Sick." She toured that summer as the opening act for *N Sync, but soon found herself tired of being pigeonholed as strictly a teen act despite her sassy, forthright persona.

P!nk  took part in the remake of Patti LaBelle's "Lady Marmalade" featured on the Moulin Rouge soundtrack, which also featured powerhouse divas Christina Aguilera, Mya, and Lil' Kim. The song was a massive hit, topping the charts in both the U.S. and U.K. while expanding P!nk's own audience. Toward the end of the year, P!nk released her next single, "Get the Party Started," which climbed into the Top Five and became the singer's most inescapable hit to date. Her accompanying sophomore album, M!ssundaztood, quickly went double platinum; it boasted a more personal voice and an eclectic sound, plus heavy contributions from ex-4 Non Blondes singer Linda Perry, who helped bring some more rock muscle to P!nk's sound (as did guest appearances by Steven Tyler and Richie Sambora). M!ssundaztood attracted positive critical notices as well, and its second single, "Don't Let Me Get Me," became another fast-rising Top Ten hit.

P!nk next issued Try This in November 2003. The album continued her progression toward more rock-oriented material, due in part to the songwriting collaboration of Rancid frontman Tim Armstrong on eight of the album's tracks. Try This' lead single, "Trouble," cracked the upper regions of Billboard's Top 40 and earned P!nk a Grammy Award for Best Female Rock Vocal Performance. On the home front, P!nk wed motocross racer Carey Hart  whom she had initially met at 2001's X-Games -- on January 7, 2006, in Costa Rica. Her next album, I'm Not Dead, appeared that April; its first single, "Stupid Girls," quickly became a hit, while "Who Knew" and "U + Ur Hand" both cracked the Top Ten. I'm Not Dead reached platinum status in several countries and helped ramp up anticipation for P!nk's follow-up, Funhouse, which arrived in October 2008. "So What," the album's leadoff single, became her first number one hit since "Lady Marmalade."

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