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Ultra-Lounge / TV Town Volume Thirteen

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Various Artists

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Album

Ultra-Lounge / TV Town Volume Thirteen

Download Ultra-Lounge / TV Town Volume Thirteen by Various Artists
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Ultra-Lounge / TV Town Volume Thirteen

Various Artists EMI
Released: Oct 24, 2000
1

Bubbles In The Wine (Digitally Remastered 96)

  by  Freddy Martin
Time: 2:41     Size: 4MB
2

Naked City Theme (Digitally Remastered 96)

  by  Nelson Riddle His Orchestra
Time: 2:11     Size: 3MB
3

The Odd Couple (Neal Hefti Version) (Digitally Remastered 96)

  by  Billy May His Orchestra
Time: 2:15     Size: 3MB
4

The Man From U.N.C.L.E./The Spies (Medley)

  by  Al Caiola
Time: 4:16     Size: 6MB
5

Thanks For The Memory (Digitally Remastered 96)

  by  Dave Pell
Time: 2:54     Size: 4MB
6

Theme From The Munsters(Digitally Remastered 96)

  by  Jack Marshall
Time: 2:12     Size: 3MB
7

The Fugitive Theme (Digitally Remastered 96)

  by  Si Zentner
Time: 2:01     Size: 3MB
8

Dick Van Dyke Theme/The Alvin Show Theme (Medley)

  by  Nelson Riddle His Orchestra
Time: 4:35     Size: 6MB
9

The Human Jungle (1997 Digital Remaster)

  by  The John Barry Seven Orchestra
Time: 2:22     Size: 3MB
10

Batman Theme (1997 Digital Remaster)

  by  David McCallum
Time: 2:10     Size: 3MB
11

Mannix (Lalo Schifrin Version) (Digitally Remastered 96)

  by  Billy May With The Time-Life Orchestra
Time: 2:24     Size: 3MB
12

One Step Beyond (Fear)/The Twilight Zone (Medley)

  by  The Ventures
Time: 4:50     Size: 7MB
13

Mr. Lucky (Digitally Remastered 96)

  by  Si Zentner
Time: 2:37     Size: 4MB
14

The Mod Squad Theme (Digitally Remastered 96)

  by  Al Caiola
Time: 2:04     Size: 3MB
15

My Three Sons (1997 Digital Remaster)

  by  Nelson Riddle
Time: 2:21     Size: 3MB
16

Burkes Law Suite (Medley)

  by  Burkes Law- TV Program Soundtrack
Time: 10:18     Size: 14MB
17

Bewitched (Digitally Remastered 96)

  by  Peggy Lee
Time: 2:04     Size: 3MB
18

Melancholy Serenade (Digitally Remastered 96)

  by  Jackie Gleason
Time: 3:13     Size: 4MB
19

Power House (Digitally Remastered 96)

  by  Spike Jones
Time: 3:29     Size: 5MB

-= Featured Artist | kazaa.com =-

The Beyonce Experience


Beyoncé is the epitome of a woman. She’s our generation’s Aretha, demanding respect, fiercely proud of her womanhood, her feminine independence and her body. You could even say she’s reinstalled a long forgotten perception of beauty in the media. After too many decades of flat chests, chicken legs and protruding bones on MTV, Beyonce reminds us that that women are meant to be rounded, wide hipped and fleshy. She has become a sex symbol, wrapping herself proclaimed ‘bootylicious’ body in sheer and torn skin-tight outfits and her performances are high energy provocative, although she manages to keep it tasteful. Originally known as the front woman of popular 90s group Destiny’s Child, Beyonce recently stepped out on her own as a solo artist, and she is now one of the most recognizable, well known and well paid artist in the R&B scene. Her debut album, Dangerously in Love (2003), sold over 317, 000 copies in its first week, and included the huge hit Crazy in Love, which spent eight weeks comfortably settled at #1 on the Billboard Hot 100. Beyonce’s second album, B’day, was released in 2006 and was inspired by her starring role in Dreamgirls. And then in 2008, she released I am… Sasha Fierce. Sasha is apparently Beyonce’s alter ego, the persona she takes out onto the stage. If I Were A Boy puts her in her boyfriends shoes. She’s Policeman Beyonce, going for beers with the guys, putting the baddies behind bars and declaring how she’d treat her significant other if she were of male persuasion. It’s a thought inducing gender-switch track, and a surprisingly original concept for the diva. We’ve seen her in camouflaged army gear belting out, Survivor, we’ve seen her rooting for the Independent Women’, single mothers, career girls, and ultimately, other pop stars. Boyence is a power woman and, hell yes, her boyfriend should know he’s replaceable. And if he didn’t want to lose it, then he probably should a put a ring on it. Mhm! She has sass and attitude and a feminist fury that makes the music work. The ultimate pop feminist, sending a message to teenage girls around the world that not only is it okay to embrace their femininity, but that they should be damn proud of it too.

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