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Horizons

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Leif Ove Andsnes

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Horizons

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Horizons

Leif Ove Andsnes EMI
Released: Sep 12, 2006
1

Etude Op. 76 No. 2

 
Time: 1:16     Size: 2MB
2

Impromptu 1 Op. 14

 
Time: 2:26     Size: 3MB
3

Songs without Words: Song without words Op. 67 No. 2

 
Time: 2:01     Size: 2MB
4

Standchen

 
Time: 2:34     Size: 3MB
5

Paisajes: II. El lago (Le Lac)

 
Time: 4:01     Size: 4MB
6

Chorale prelude "Ich Ruf' zu dir, Herr Jesu Christ" BWV. 639 (arr. Bussoni)

 
Time: 3:12     Size: 3MB
7

Impromptu No.1 in A flat, Op.29

 
Time: 3:28     Size: 4MB
8

Liebestraum No. 3 in A flat major

 
Time: 4:02     Size: 5MB
9

Polka (from the ballet L'Age d'or, op.22)

 
Time: 2:10     Size: 3MB
10

España Op. 165: No. 2, Tango

 
Time: 2:26     Size: 2MB
11

Cançons i danses (Songs and Dances): No. 1 (1921)

 
Time: 2:43     Size: 2MB
12

6 Chants polonais (Chopin) S480: V. Meine Freuden (Nocturne)

 
Time: 3:19     Size: 4MB
13

Valse impromptu S213

 
Time: 5:18     Size: 7MB
14

Toccata No. 2

 
Time: 2:21     Size: 3MB
15

Chanson Coin de Rue

 
Time: 3:09     Size: 3MB
16

Veslemöy's Song

 
Time: 2:50     Size: 3MB
17

4 Humoresques Op. 6: No. 3 Allegretto con grazia

 
Time: 2:12     Size: 2MB
18

At the Sea

 
Time: 4:56     Size: 6MB
19

2 Pieces Op. 47: Lotus Land

 
Time: 3:40     Size: 4MB
20

10 Histoires: Le petite âne blanc (The Little Donkey)

 
Time: 1:59     Size: 2MB
21

Clair de Lune (from Suite Bergamasque)

 
Time: 4:36     Size: 5MB
22

Stimmungen Op. 73: No. 4 Folk Song

 
Time: 2:35     Size: 2MB
23

Love, Op.52. No.5

 
Time: 2:16     Size: 2MB

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The Beyonce Experience


Beyoncé is the epitome of a woman. She’s our generation’s Aretha, demanding respect, fiercely proud of her womanhood, her feminine independence and her body. You could even say she’s reinstalled a long forgotten perception of beauty in the media. After too many decades of flat chests, chicken legs and protruding bones on MTV, Beyonce reminds us that that women are meant to be rounded, wide hipped and fleshy. She has become a sex symbol, wrapping herself proclaimed ‘bootylicious’ body in sheer and torn skin-tight outfits and her performances are high energy provocative, although she manages to keep it tasteful. Originally known as the front woman of popular 90s group Destiny’s Child, Beyonce recently stepped out on her own as a solo artist, and she is now one of the most recognizable, well known and well paid artist in the R&B scene. Her debut album, Dangerously in Love (2003), sold over 317, 000 copies in its first week, and included the huge hit Crazy in Love, which spent eight weeks comfortably settled at #1 on the Billboard Hot 100. Beyonce’s second album, B’day, was released in 2006 and was inspired by her starring role in Dreamgirls. And then in 2008, she released I am… Sasha Fierce. Sasha is apparently Beyonce’s alter ego, the persona she takes out onto the stage. If I Were A Boy puts her in her boyfriends shoes. She’s Policeman Beyonce, going for beers with the guys, putting the baddies behind bars and declaring how she’d treat her significant other if she were of male persuasion. It’s a thought inducing gender-switch track, and a surprisingly original concept for the diva. We’ve seen her in camouflaged army gear belting out, Survivor, we’ve seen her rooting for the Independent Women’, single mothers, career girls, and ultimately, other pop stars. Boyence is a power woman and, hell yes, her boyfriend should know he’s replaceable. And if he didn’t want to lose it, then he probably should a put a ring on it. Mhm! She has sass and attitude and a feminist fury that makes the music work. The ultimate pop feminist, sending a message to teenage girls around the world that not only is it okay to embrace their femininity, but that they should be damn proud of it too.

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