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Ein Klassisches Bettgeflüster

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Ein Klassisches Bettgeflüster

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Ein Klassisches Bettgeflüster

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Ein Klassisches Bettgeflüster

Ein Klassisches Bettgeflüster Warners
Released: Feb 13, 2009
1

Bolero

  by  Radio-Symphonie-Orchester Ljubljana, Samo Hubad
Time: 13:48     Size: 19MB
2

Slawischer Tanz Nr. 1, C-Dur, op. 46

  by  Royal Philharmonic Orchester London, Frank Shipway
Time: 3:25     Size: 5MB
3

Die Zauberflo¨te, KV 620: Ouvertu¨re

  by  Mozart Festival Orchestra, Alberto Lizzio
Time: 7:23     Size: 10MB
4

Nocturne, op. 9,2

  by  Dubravka Tomsic
Time: 4:40     Size: 6MB
5

Thais: Meditation

  by  Royal Philharmonic Orchester London, Frank Shipway
Time: 5:04     Size: 7MB
6

Valse triste, op. 44

  by  London Festival Orchestra, Alfred Scholz
Time: 3:59     Size: 6MB
7

Concerto grosso, op. 1, Nr. 2, C-Moll: II. Largo

  by  I Solisti Di Zagreb
Time: 2:33     Size: 4MB
8

Der Barbier von Sevilla - Ouvertu¨re

  by  London Festival Orchestra, Alfred Scholz
Time: 7:45     Size: 11MB
9

Geschichten aus dem Wienerwald, Walzer, op. 325

  by  Orchester der Wiener Volksoper, Peter Falk
Time: 12:39     Size: 17MB
10

Carmen-Suite, Nr. 1

  by  Symphonic Festival Orchestra, Denis Cloutier
Time: 12:10     Size: 17MB
11

Peer Gynt-Suite Nr. 1, op. 46: Morgenstimmung, Ases Tod

  by  Philharmonic Festival Orchestra, Istvan Cohen
Time: 8:36     Size: 12MB
12

Romanze fu¨r Violine und Orchester, G-Dur, op. 40

  by  Slovak Philharmonic Orchestra, Alberto Lizzio
Time: 6:44     Size: 9MB
13

Nussknacker-Suite, op. 71a: Blumenwalzer

  by  London Festival Orchestra, Lizzio
Time: 7:10     Size: 10MB
14

Schwanensee, Ballettsuite op. 20 a - I. Szene

  by  Symphonic Festival Orchestra, Denise Cloutier
Time: 7:48     Size: 11MB
15

Kaiserquartett, C-Dur, op. 76/3: Poco adagio

  by  Caspar Da Solo Quartett
Time: 8:46     Size: 12MB
16

Leonoren-Ouvertu¨re Nr. 3, op. 72a

  by  Radio-Symphonieorchester Ljubljana, Anton Nanut
Time: 13:35     Size: 19MB
17

Suite aus der Feuerwerksmusik, Ouvertu¨re

  by  Suedwest-Sinfonieorchester, Heribert Mu¨nchner
Time: 9:23     Size: 13MB
18

Konzert fu¨r Klavier und Orchester, A-Moll, op. 16: Adagio

  by  Radio-Symphonieorchester Ljubljana, Anton Nanut
Time: 7:11     Size: 10MB
19

Tannha¨user, Ouvertu¨re

  by  Philharmonisches Festspielorchester, Bernard Volkmann
Time: 14:44     Size: 20MB
20

Brandenburgisches Konzert Nr. 6 B-Dur BWV 1051 - II. Adagio

  by  Baroque Studio Orchestra, Karel Brazda
Time: 4:38     Size: 6MB
21

Scheherazade, Symphonische Suite, op. 35: Andantino

  by  Radio-Symphonieorchester Ljubljana, Anton Nanut
Time: 10:14     Size: 14MB
22

La chasse, Jagdquartett, B-Dur, op. 1/1: Adagio

  by  Caspar da Salo Quartett
Time: 5:37     Size: 8MB
23

An der scho¨nen blauen Donau, Walzer, op. 314

  by  Wiener Opernorchester, Carl Michalski
Time: 10:53     Size: 15MB
24

Aus der neuen Welt, Symphonie, Nr. 9, E-Moll, op. 95: Largo

  by  Slovak Philharmonic Orchestra, Libor Pesek
Time: 12:14     Size: 17MB
25

Ungarischer Tanz Nr. 20, E-Moll

  by  London Festival Orchestra, Alfred Scholz
Time: 2:53     Size: 4MB
26

Romanze fu¨r Violine und Orchester, op. 50

  by  Slovak Philharmonic Orchestra, Alberto Lizzio
Time: 8:19     Size: 11MB
27

La Mer - Spiel der Wellen

  by  Symphonieorchester des O¨sterreichischen Rundfunks, Milan Horvat
Time: 6:33     Size: 9MB
28

Kinderszenen op. 15 - Tra¨umerei

  by  Sylvia Capova
Time: 3:07     Size: 4MB
29

Romeo und Julia, Fantasie-Ouvertu¨re

  by  Philharmonic Orchestra London, Lawrence Siegel
Time: 18:10     Size: 25MB
30

Klavierkonzert, Nr. 20, D-Moll, KV 466: Romance

  by  Mozart Festival Orchestra, Istvan Cohen
Time: 8:42     Size: 12MB

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Rihanna - Carribbean Barbie TM


It’s raining Rihanna, or as she is known to her close friends, Caribbean Barbie TM. The cameraman’s wet dream, with her pretty doll-faced features and petit albeit juicy figure, is a photogenic goddess with all the aesthetic appeal of a Disney princess. Perhaps that's was caught megastar producer Evan Rodgers eye when he was introduced to the aspiring entertainer in 2005 while on holiday in Barbados with his family. Rihanna was fifteen, with bronze skin, plump, expressive lips and sea-green eyes. She was a frequent winner of local beauty and talent contests and on meeting her, the dollar sign cha-chinged behind Rodger’s eyes and he brought her back to the States to make her the billboard empress she is today. With the help of the man who produced such acts as N*SYNC, Christina Aguilera and Jessica Simpson, it’s no wonder she so stylishly broke into the pop scene. Jay-Z signed her to his record label Def Jam Recordings and the rest is history.

Her debut hit Pon de Reply, in 2005 was an instant success. It’s a salty dance hit with Caribbean rhythm and has Rihanna in all her glittering glory, introducing the world to her spectacular torso tricks and her characteristic know it all smirk. Her second album, Girl Like Me, was released in 2006. S.O.S. has our tiny dancer begging to be rescued from her tropical hip hop island of mediocrity. Unfaithful, written by R&B golden boy Ne-Yo, is a tragic ballad with melodramatic harmonies. Rihanna plays the part well, her timber, nasal voice conveying guilt, pity and the inner pain of a teenager trying and failing to sing Rhythm and Blues. In 2007, the Gods of Pop put their heads together to produce Good Girl Gone Bad. Jay-Z enlisted Ne-Yo, Timberland and Stargate. Even Justin Timberlake got in on the action, co-writing and providing backup vocals for Rehab. Rihanna is portrayed in all her pseudo-mechanic class, swooning over car hoods and alternating between baby-doll dresses and bad-ass leather ensembles. But most of the album was outshined by the billboard earthquake that is Umbrella. The song, originally written for Britney Spears, spent seven consecutive weeks at the top of the Billboard 100 and lorded over charts worldwide. It invaded countries, ransacked radio stations and pillaged tween pockets like a Caribbean Pirate. It’s Raining, It’s Pouring has been replaced as the weather’s national anthem, and yes, the artist has even sprouted her own line of designer… umbrellas. It's considered Rihanna’s best effort to date, with its epic scale and a chorus that inserts itself into your head and never. Lets. Go. Rihanna was born for stardom, and she glitters in silver paint, grinning wickedly to herself because she knows it. The world is her umbrella.

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