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Franz Lehar

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Franz Lehar

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Album

Franz Lehar

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Franz Lehar

Franz Lehar Warners
Released: Nov 02, 1998
1

Gold und Silber Op. 79

  by  Großes Wiener Funkorchester
Time: 2:50     Size: 4MB
2

Das Land Des Lächelns: Doch so exotisch, so wunderbar exotisch - Du bist so lieb, Di bist so schön

  by  Friedl Pöltinger, Erni Bieler, Maria König, Alice Gross-Jirech, Orchester der Volksoper Wien, Paul Walter
Time: 18:51     Size: 26MB
3

Der Graf von Luxemburg: Walzer

  by  Großes Wiener Funkorchester
Time: 2:58     Size: 4MB
4

Der Graf von Luxemburg

  by  Orchester der Volksoper Wien
Time: 2:23     Size: 3MB
5

Der Zarewitsch

  by  Orchester der Volksoper Wien
Time: 2:42     Size: 4MB
6

Der Zarewitsch

  by  Orchester der Volksoper Wien
Time: 1:45     Size: 2MB
7

Der Zarewitsch

  by  Wiener Unterhaltungsorchester
Time: 3:06     Size: 4MB
8

Frasquita

  by  Die Prager Streicher
Time: 3:26     Size: 5MB
9

Frasquita

  by  Orchester Rudold Bibl
Time: 2:51     Size: 4MB
10

Giuditta

  by  Orchester der Volksoper Wien
Time: 2:13     Size: 3MB
11

Friederike

  by  Orchester der Volksoper Wien
Time: 1:40     Size: 2MB
12

Paganini

  by  Orchester der Volksoper Wien
Time: 2:41     Size: 4MB
13

Paganini

  by  Orchester der Volksoper Wien
Time: 1:32     Size: 2MB
14

Die Lustige Witwe: Ballsirenen

  by  Die Prager Streicher
Time: 6:52     Size: 9MB
15

Das Land des Lächelns

  by  Wiener Unterhaltungsorchester
Time: 8:43     Size: 12MB

-= Featured Artist | kazaa.com =-

The Beyonce Experience


Beyoncé is the epitome of a woman. She’s our generation’s Aretha, demanding respect, fiercely proud of her womanhood, her feminine independence and her body. You could even say she’s reinstalled a long forgotten perception of beauty in the media. After too many decades of flat chests, chicken legs and protruding bones on MTV, Beyonce reminds us that that women are meant to be rounded, wide hipped and fleshy. She has become a sex symbol, wrapping herself proclaimed ‘bootylicious’ body in sheer and torn skin-tight outfits and her performances are high energy provocative, although she manages to keep it tasteful. Originally known as the front woman of popular 90s group Destiny’s Child, Beyonce recently stepped out on her own as a solo artist, and she is now one of the most recognizable, well known and well paid artist in the R&B scene. Her debut album, Dangerously in Love (2003), sold over 317, 000 copies in its first week, and included the huge hit Crazy in Love, which spent eight weeks comfortably settled at #1 on the Billboard Hot 100. Beyonce’s second album, B’day, was released in 2006 and was inspired by her starring role in Dreamgirls. And then in 2008, she released I am… Sasha Fierce. Sasha is apparently Beyonce’s alter ego, the persona she takes out onto the stage. If I Were A Boy puts her in her boyfriends shoes. She’s Policeman Beyonce, going for beers with the guys, putting the baddies behind bars and declaring how she’d treat her significant other if she were of male persuasion. It’s a thought inducing gender-switch track, and a surprisingly original concept for the diva. We’ve seen her in camouflaged army gear belting out, Survivor, we’ve seen her rooting for the Independent Women’, single mothers, career girls, and ultimately, other pop stars. Boyence is a power woman and, hell yes, her boyfriend should know he’s replaceable. And if he didn’t want to lose it, then he probably should a put a ring on it. Mhm! She has sass and attitude and a feminist fury that makes the music work. The ultimate pop feminist, sending a message to teenage girls around the world that not only is it okay to embrace their femininity, but that they should be damn proud of it too.

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