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Pain Machines

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Colin of Arabia

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Album

Pain Machines

Download Pain Machines by Colin of Arabia
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Pain Machines

Colin of Arabia Sony
Released: Jul 21, 2009
1

Slow Dance

 
Time: 1:23     Size: 2MB
2

Closure

 
Time: 2:01     Size: 3MB
3

You Guys Were Great Don't Put Gas In Our Van

 
Time: 1:36     Size: 2MB
4

Prozac

 
Time: 1:31     Size: 2MB
5

F.E.M.A.

 
Time: 1:48     Size: 3MB
6

Spite & Malice

 
Time: 1:56     Size: 3MB
7

Save It For The Judge

 
Time: 46s     Size: 1MB
8

Never Blend In

 
Time: 2:47     Size: 4MB
9

Arrivederci' Motherfucker

 
Time: 1:46     Size: 2MB
10

The Badlands

 
Time: 2:25     Size: 3MB
11

Slavedriver

 
Time: 1:13     Size: 2MB
12

Counting Lessons in Purgatory

 
Time: 1:51     Size: 3MB
13

Kiss Me Goodbye

 
Time: 1:19     Size: 2MB
14

Closure (Live)

 
Time: 2:05     Size: 3MB
15

Introduction to Destruction (Live)

 
Time: 42s     Size: 996KB
16

Casual Casualty (Live)

 
Time: 1:53     Size: 3MB
17

Slave Driver (Live)

 
Time: 1:24     Size: 2MB
18

Behind This Tongue (Live)

 
Time: 40s     Size: 934KB
19

Slow Dance (Live)

 
Time: 1:56     Size: 3MB
20

Eye of the Storm (Live)

 
Time: 1:15     Size: 2MB
21

50 Bag of Hate (Live)

 
Time: 38s     Size: 882KB
22

I Fight (Live)

 
Time: 1:16     Size: 2MB
23

The Badlands (Live)

 
Time: 2:17     Size: 3MB
24

Kiss Me Goodbye (Live)

 
Time: 2:31     Size: 3MB
25

You Guys Were Great Don't Put Gas In Our Van (Live)

 
Time: 1:08     Size: 2MB
26

Prozac (Live)

 
Time: 1:30     Size: 2MB
27

Arrivederci' Motherfucker (Live)

 
Time: 1:37     Size: 2MB
28

Live Brockton Shows (Live)

 
Time: 1:25     Size: 2MB
29

Piss All Over Your Hopes and Dreams (Live)

 
Time: 3:16     Size: 4MB
30

Everyday I Walk The Same Way Home (Live)

 
Time: 1:58     Size: 3MB
31

Ordinary Guy featuring George (Live)

 
Time: 1:04     Size: 1MB

Other albums by Colin of Arabia:

-= Featured Artist | kazaa.com =-

Rihanna - Carribbean Barbie TM


It’s raining Rihanna, or as she is known to her close friends, Caribbean Barbie TM. The cameraman’s wet dream, with her pretty doll-faced features and petit albeit juicy figure, is a photogenic goddess with all the aesthetic appeal of a Disney princess. Perhaps that's was caught megastar producer Evan Rodgers eye when he was introduced to the aspiring entertainer in 2005 while on holiday in Barbados with his family. Rihanna was fifteen, with bronze skin, plump, expressive lips and sea-green eyes. She was a frequent winner of local beauty and talent contests and on meeting her, the dollar sign cha-chinged behind Rodger’s eyes and he brought her back to the States to make her the billboard empress she is today. With the help of the man who produced such acts as N*SYNC, Christina Aguilera and Jessica Simpson, it’s no wonder she so stylishly broke into the pop scene. Jay-Z signed her to his record label Def Jam Recordings and the rest is history.

Her debut hit Pon de Reply, in 2005 was an instant success. It’s a salty dance hit with Caribbean rhythm and has Rihanna in all her glittering glory, introducing the world to her spectacular torso tricks and her characteristic know it all smirk. Her second album, Girl Like Me, was released in 2006. S.O.S. has our tiny dancer begging to be rescued from her tropical hip hop island of mediocrity. Unfaithful, written by R&B golden boy Ne-Yo, is a tragic ballad with melodramatic harmonies. Rihanna plays the part well, her timber, nasal voice conveying guilt, pity and the inner pain of a teenager trying and failing to sing Rhythm and Blues. In 2007, the Gods of Pop put their heads together to produce Good Girl Gone Bad. Jay-Z enlisted Ne-Yo, Timberland and Stargate. Even Justin Timberlake got in on the action, co-writing and providing backup vocals for Rehab. Rihanna is portrayed in all her pseudo-mechanic class, swooning over car hoods and alternating between baby-doll dresses and bad-ass leather ensembles. But most of the album was outshined by the billboard earthquake that is Umbrella. The song, originally written for Britney Spears, spent seven consecutive weeks at the top of the Billboard 100 and lorded over charts worldwide. It invaded countries, ransacked radio stations and pillaged tween pockets like a Caribbean Pirate. It’s Raining, It’s Pouring has been replaced as the weather’s national anthem, and yes, the artist has even sprouted her own line of designer… umbrellas. It's considered Rihanna’s best effort to date, with its epic scale and a chorus that inserts itself into your head and never. Lets. Go. Rihanna was born for stardom, and she glitters in silver paint, grinning wickedly to herself because she knows it. The world is her umbrella.

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