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NOW That's What I Call The '80s Volume 2

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Martika

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Album

NOW That's What I Call The '80s Volume 2

Download NOW That's What I Call The '80s Volume 2 by Martika
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NOW That's What I Call The '80s Volume 2

Martika Sony
Released: Jun 30, 2009
1

Faith

  by  George Michael
Time: 3:13     Size: 4MB
2

How Will I Know

  by  Whitney Houston
Time: 4:33     Size: 6MB
3

Straight Up

  by  Paula Abdul
Time: 4:09     Size: 6MB
4

Never Gonna Give You Up

  by  Rick Astley
Time: 3:33     Size: 5MB
5

Dancing On The Ceiling

  by  Lionel Richie
Time: 4:34     Size: 6MB
6

Torture

  by  The Jacksons
Time: 4:52     Size: 7MB
7

Simply Irresistible

  by  Robert Palmer
Time: 4:18     Size: 6MB
8

Don't Mean Nothing

  by  Richard Marx
Time: 4:41     Size: 6MB
9

Run To You

  by  Bryan Adams
Time: 3:54     Size: 5MB
10

Every Little Thing She Does Is Magic

  by  The Police
Time: 4:20     Size: 6MB
11

The Way It Is

  by  Bruce Hornsby and the Range
Time: 4:57     Size: 7MB
12

Separate Ways (Worlds Apart)

  by  Journey
Time: 5:26     Size: 7MB
13

True Colors

  by  Cyndi Lauper
Time: 3:46     Size: 5MB
14

Toy Soldiers

 
Time: 4:23     Size: 6MB
15

A View To Kill

  by  Duran Duran
Time: 3:33     Size: 5MB
16

You Spin Me Round (Like A Record)

  by  Dead Or Alive
Time: 3:15     Size: 4MB
17

Rebel Yell

  by  Billy Idol
Time: 3:42     Size: 5MB
18

Don't You Want Me

  by  The Human League
Time: 3:52     Size: 5MB
19

Somebody's Watching Me

  by  Rockwell
Time: 3:55     Size: 6MB

Other albums by Martika:

-= Featured Artist | kazaa.com =-

Rihanna - Carribbean Barbie TM


It’s raining Rihanna, or as she is known to her close friends, Caribbean Barbie TM. The cameraman’s wet dream, with her pretty doll-faced features and petit albeit juicy figure, is a photogenic goddess with all the aesthetic appeal of a Disney princess. Perhaps that's was caught megastar producer Evan Rodgers eye when he was introduced to the aspiring entertainer in 2005 while on holiday in Barbados with his family. Rihanna was fifteen, with bronze skin, plump, expressive lips and sea-green eyes. She was a frequent winner of local beauty and talent contests and on meeting her, the dollar sign cha-chinged behind Rodger’s eyes and he brought her back to the States to make her the billboard empress she is today. With the help of the man who produced such acts as N*SYNC, Christina Aguilera and Jessica Simpson, it’s no wonder she so stylishly broke into the pop scene. Jay-Z signed her to his record label Def Jam Recordings and the rest is history.

Her debut hit Pon de Reply, in 2005 was an instant success. It’s a salty dance hit with Caribbean rhythm and has Rihanna in all her glittering glory, introducing the world to her spectacular torso tricks and her characteristic know it all smirk. Her second album, Girl Like Me, was released in 2006. S.O.S. has our tiny dancer begging to be rescued from her tropical hip hop island of mediocrity. Unfaithful, written by R&B golden boy Ne-Yo, is a tragic ballad with melodramatic harmonies. Rihanna plays the part well, her timber, nasal voice conveying guilt, pity and the inner pain of a teenager trying and failing to sing Rhythm and Blues. In 2007, the Gods of Pop put their heads together to produce Good Girl Gone Bad. Jay-Z enlisted Ne-Yo, Timberland and Stargate. Even Justin Timberlake got in on the action, co-writing and providing backup vocals for Rehab. Rihanna is portrayed in all her pseudo-mechanic class, swooning over car hoods and alternating between baby-doll dresses and bad-ass leather ensembles. But most of the album was outshined by the billboard earthquake that is Umbrella. The song, originally written for Britney Spears, spent seven consecutive weeks at the top of the Billboard 100 and lorded over charts worldwide. It invaded countries, ransacked radio stations and pillaged tween pockets like a Caribbean Pirate. It’s Raining, It’s Pouring has been replaced as the weather’s national anthem, and yes, the artist has even sprouted her own line of designer… umbrellas. It's considered Rihanna’s best effort to date, with its epic scale and a chorus that inserts itself into your head and never. Lets. Go. Rihanna was born for stardom, and she glitters in silver paint, grinning wickedly to herself because she knows it. The world is her umbrella.

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