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The Very Best Of Prestige Records (60th Anniversary)

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Various Artists

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Album

The Very Best Of Prestige Records (60th Anniversary)

Download The Very Best Of Prestige Records (60th Anniversary) by Various Artists
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The Very Best Of Prestige Records (60th Anniversary)

Various Artists UMG
Released: Jul 21, 2009
Number of Disks: 2

Disk 1

1

Subconscious-Lee

  by  Lee Konitz comp. Lee Konitz
Time: 2:47     Size: 4MB
2

I'm In The Mood For Love (Aka Moody's Mood For Love)

  by  James Moody
Time: 2:46     Size: 4MB
3

I Want To Be Happy

  by  Sonny Stitt Quartet comp. Irving Caesar and Vincent Youmans
Time: 3:09     Size: 4MB
4

Blue Monk

  by  Thelonious Monk comp. Thelonious Monk
Time: 7:38     Size: 11MB
5

Airegin

  by  Miles Davis, Sonny Rollins, Kenny Clarke, Percy Heath and Horace Silver
Time: 4:57     Size: 7MB
6

Django

  by  The Modern Jazz Quartet comp. John Lewis
Time: 7:01     Size: 10MB
7

Tenor Madness

  by  Sonny Rollins comp. Sonny Rollins
Time: 12:16     Size: 17MB
8

St. Thomas

  by  Sonny Rollins comp. Sonny Rollins
Time: 6:49     Size: 9MB
9

If I Were A Bell

  by  Miles Davis Quintet comp. Frank Loesser
Time: 8:15     Size: 12MB
10

My Funny Valentine

  by  Miles Davis Quintet comp. Richard Rodgers and Lorenz Hart
Time: 5:59     Size: 8MB
11

Hey Now

  by  Red Garland Trio comp. Red Garland
Time: 3:42     Size: 5MB
12

I Love You

  by  John Coltrane comp. Cole Porter
Time: 5:33     Size: 8MB
13

Why Was I Born?

  by  John Coltrane and Kenny Burrell comp. Oscar Hammerstein II and Jerome Kern
Time: 3:12     Size: 4MB
1

Very Saxy

  by  Coleman Hawkins, Eddie "Lockjaw" Davis, Arnett Cobb, Buddy Tate, Arthur Edgehill, George Duvivier and Shirley Scott
Time: 8:15     Size: 11MB
2

Lotus Blossom

  by  Kenny Dorham comp. Kenny Dorham
Time: 4:36     Size: 6MB
3

Hittin' The Jug

  by  Gene Ammons comp. Gene Ammons
Time: 8:28     Size: 12MB
4

March On, March On

  by  Oliver Nelson comp. Esmond Edwards
Time: 5:02     Size: 7MB
5

Les

  by  Eric Dolphy
Time: 5:12     Size: 7MB
6

The Plum Blossom

  by  Yusef Lateef comp. Yusef Lateef
Time: 5:03     Size: 7MB
7

Three For Dizzy

  by  Roland Kirk and Jack McDuff comp. Roland Kirk
Time: 5:14     Size: 7MB
8

Soul Shoutin'

  by  Shirley Scott
Time: 5:38     Size: 8MB
9

Misty

  by  Richard "Groove" Holmes comp. Johnny Burke and Erroll Garner
Time: 6:03     Size: 8MB
10

Waltz For Geri

  by  Pat Martino comp. Pat Martino
Time: 6:23     Size: 9MB
11

Fried Bananas

  by  Dexter Gordon comp. Dexter Gordon
Time: 6:09     Size: 9MB
12

More Today Than Yesterday

  by  Charles Earland comp. Patrick Upton
Time: 3:46     Size: 5MB

-= Featured Artist | kazaa.com =-

Lilly Allen

What happens when the pretty, doll-faced daughter of a famous British comedian drops out of high school, deals E for a living, becomes famous on MySpace for a few original songs and then receives the creative freeway from a record company to release her own album?

Lily Allen happens. She started off on MySpace, reaped in the fans by marketing her own mix tapes, released her debut album on a 12” vinyl before the full CD came out… she’s the Little Brat That Could. With her debut single, Smile, a vindictive, horror revenge story with lollipop beats and a touch of eclectic soul, Lily won the BMI Songwriter of the Year award and became a full blown star. Her debut Album, Alright, Still, released in 2006, touched audiences with its mellow, bratty sweetness and a personal sense of irony. Lily speaks the everyday truth of the everyday lives of everyday women. From dealing with stony brothers to creeps at the bar, Lily’s little-sisterly passive aggression is dealt out with lyrical wit and bassy, eclectic sounds inspired by Jamaican ska.

Her video clips are full of her op-shop personality and Mockney charm. Abound with sweet little visual gags, stoner Muppets and bright, retro aesthetics, they reflect her genuine sense of self and her London Street Pop sound. The film noir video for Littlest Thing shows Lily’s darker side. It’s a melancholy, sweet and sad, with a classical melody and the usual sharp delivery of biting lyrics. Like all of her music, she’s emotionally authentic, without being angsty or emo. There’s almost a sense of 'morning after' apathy, like she’s already had a good cry, gotten trashed, and is telling the story as she nurses a hangover the next day- laughing dryly at the memory of her own misery. She’s also wicked honest about everything, on her MySpace, in interviews, and most importantly, in her music. It makes all the difference. Perhaps that is why she was voted third Coolest Person of the Year. She’s just plodding along, having a good time and treasuring the color of her life. Sweet of her to share it with us.

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