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Nobody's Fault But Mine

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John Renbourn

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Album

Nobody's Fault But Mine

Download Nobody's Fault But Mine by John Renbourn
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Nobody's Fault But Mine

John Renbourn UMG
Released: Dec 09, 2008
Number of Disks: 2

Disk 1

1

Plainsong

  by  John Renbourn comp. John Renbourn
Time: 3:47     Size: 5MB
2

The Wildest Pig In Captivity

  by  John Renbourn comp. John Renbourn
Time: 2:08     Size: 3MB
3

Lost Lover Blues

  by  John Renbourn and Jacqui McShee comp. Fulton Allen and Baxter J. Long
Time: 1:58     Size: 3MB
4

The Waggoner's Lad

  by  Bert Jansch comp. Traditional
Time: 3:28     Size: 5MB
5

Come Up Horsey

  by  Dorris Henderson and John Renbourn comp. Traditional
Time: 1:44     Size: 2MB
6

Nobody's Fault But Mine

  by  John Renbourn and Jacqui McShee comp. Traditional
Time: 1:57     Size: 3MB
7

After The Dance

  by  Bert Jansch and John Renbourn comp. Bert Jansch and John Renbourn
Time: 2:26     Size: 3MB
8

My Sweet Potato

  by  John Renbourn and Terry Cox comp. Steve Cropper, Al Jackson, Jr. and Booker Tom Jones
Time: 3:22     Size: 5MB
9

Kokomo Blues

  by  John Renbourn comp. James Arnold
Time: 3:54     Size: 5MB
10

Water Gypsy

  by  John Renbourn comp. John Renbourn and Stefan Grossman
Time: 4:06     Size: 6MB
11

Just Like Me

  by  John Renbourn comp. John Renbourn
Time: 3:44     Size: 5MB
12

Shake Shake Mama

  by  John Renbourn comp. John Renbourn and Bert Jansch
Time: 3:24     Size: 5MB
13

Faro's Rag

  by  John Renbourn comp. John Renbourn
Time: 2:40     Size: 4MB
14

Catwalk

  by  John Renbourn and Stefan Grossman comp. John Renbourn
Time: 4:09     Size: 6MB
15

Live Medley

  by  John Renbourn comp. John Renbourn, Traditional and Traditional
Time: 7:14     Size: 10MB
16

Reflections 1

  by  John Renbourn comp. John Renbourn
Time: 3:27     Size: 5MB
17

Waltz On Sunday

  by  John Renbourn and Duck Baker comp. Duck Baker
Time: 3:22     Size: 5MB
18

Sally Go Round The Roses

  by  Pentangle comp. Abner Spector
Time: 3:37     Size: 5MB
19

Canonball Stomp

  by  John Renbourn comp. Merle Travis
Time: 3:07     Size: 4MB
20

So Clear

  by  Pentangle comp. Traditional
Time: 4:51     Size: 7MB
1

O'Carolan Medley

  by  John Renbourn comp. Turloagh O' Carolan, Turloagh O' Carolan and Turloagh O' Carolan
Time: 5:07     Size: 7MB
2

The Moon Shines Bright

  by  John Renbourn comp. Traditional
Time: 3:54     Size: 5MB
3

The English Dance

  by  John Renbourn comp. Traditional
Time: 2:56     Size: 4MB
4

Death & The Lady

  by  John Renbourn Group comp. Traditional
Time: 3:21     Size: 5MB
5

The Trees They Grow High

  by  John Renbourn Group comp. Traditional
Time: 3:00     Size: 4MB
6

Talk About Suffering

  by  John Renbourn Group comp. Traditional
Time: 3:29     Size: 5MB
7

Circle Dance

  by  John Renbourn, Tony Roberts, Jeff Merrill and Joe Tancock comp. John Renbourn
Time: 4:24     Size: 6MB
8

Truth From Above

  by  John Renbourn Group comp. Traditional
Time: 2:17     Size: 3MB
9

My Johnny Was A Shoemaker

  by  John Renbourn Group comp. Traditional
Time: 2:47     Size: 4MB
10

Medley

  by  John Renbourn and Robin Williamson comp. Traditional and Traditional
Time: 3:56     Size: 5MB
11

Lindsay

  by  John Renbourn and Robin Williamson comp. Archie Fisher
Time: 5:56     Size: 8MB
12

Sidi Brahim

  by  John Renbourn Group comp. Traditional
Time: 9:57     Size: 14MB
13

Im Wunderschonen Monat Mai

  by  John Renbourn comp. Robert Schumann
Time: 1:37     Size: 2MB
14

Travellers' Prayer

  by  John Renbourn's Ship Of Fools comp. John Renbourn
Time: 2:41     Size: 4MB
15

Variation's On My Lady Carey's Dompe

  by  John Renbourn, Tony Roberts, Jeff Merrill and Joe Tancock comp. Anon. and John Renbourn
Time: 6:15     Size: 9MB
16

At The Break Of Day

  by  John Renbourn and Clive Carroll comp. John Renbourn
Time: 4:21     Size: 6MB
17

Going To Memphis

  by  Dorris Henderson and John Renbourn comp. Traditional
Time: 3:05     Size: 4MB

-= Featured Artist | kazaa.com =-

Rihanna - Carribbean Barbie TM


It’s raining Rihanna, or as she is known to her close friends, Caribbean Barbie TM. The cameraman’s wet dream, with her pretty doll-faced features and petit albeit juicy figure, is a photogenic goddess with all the aesthetic appeal of a Disney princess. Perhaps that's was caught megastar producer Evan Rodgers eye when he was introduced to the aspiring entertainer in 2005 while on holiday in Barbados with his family. Rihanna was fifteen, with bronze skin, plump, expressive lips and sea-green eyes. She was a frequent winner of local beauty and talent contests and on meeting her, the dollar sign cha-chinged behind Rodger’s eyes and he brought her back to the States to make her the billboard empress she is today. With the help of the man who produced such acts as N*SYNC, Christina Aguilera and Jessica Simpson, it’s no wonder she so stylishly broke into the pop scene. Jay-Z signed her to his record label Def Jam Recordings and the rest is history.

Her debut hit Pon de Reply, in 2005 was an instant success. It’s a salty dance hit with Caribbean rhythm and has Rihanna in all her glittering glory, introducing the world to her spectacular torso tricks and her characteristic know it all smirk. Her second album, Girl Like Me, was released in 2006. S.O.S. has our tiny dancer begging to be rescued from her tropical hip hop island of mediocrity. Unfaithful, written by R&B golden boy Ne-Yo, is a tragic ballad with melodramatic harmonies. Rihanna plays the part well, her timber, nasal voice conveying guilt, pity and the inner pain of a teenager trying and failing to sing Rhythm and Blues. In 2007, the Gods of Pop put their heads together to produce Good Girl Gone Bad. Jay-Z enlisted Ne-Yo, Timberland and Stargate. Even Justin Timberlake got in on the action, co-writing and providing backup vocals for Rehab. Rihanna is portrayed in all her pseudo-mechanic class, swooning over car hoods and alternating between baby-doll dresses and bad-ass leather ensembles. But most of the album was outshined by the billboard earthquake that is Umbrella. The song, originally written for Britney Spears, spent seven consecutive weeks at the top of the Billboard 100 and lorded over charts worldwide. It invaded countries, ransacked radio stations and pillaged tween pockets like a Caribbean Pirate. It’s Raining, It’s Pouring has been replaced as the weather’s national anthem, and yes, the artist has even sprouted her own line of designer… umbrellas. It's considered Rihanna’s best effort to date, with its epic scale and a chorus that inserts itself into your head and never. Lets. Go. Rihanna was born for stardom, and she glitters in silver paint, grinning wickedly to herself because she knows it. The world is her umbrella.

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