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A Portrait of Thomas Hampson

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Thomas Hampson

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Album

A Portrait of Thomas Hampson

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A Portrait of Thomas Hampson

Thomas Hampson EMI
Released: Jan 10, 2006
1

Die Tote Stadt Op. 12: Mein Sehnen, mein Wa¨hnen (Act 2)

  by  Thomas Hampson/Mu¨nchner Rundfunkorchester/Fabio Luisi
Time: 5:07     Size: 7MB
2

Tannha¨user: Die Todesahnung ... O du mein holder Abendstern (Act 3)

  by  Thomas Hampson/Mu¨nchner Rundfunkorchester/Fabio Luisi
Time: 5:23     Size: 7MB
3

Die Lustige Witwe (complete), ACT 1: O Vaterland...Da geh' ich zu Maxim (Entrance song: Danilo)

  by  Dame Felicity Lott/Thomas Hampson/Elzbieta Szmytka/John Aler/Kurt Azesberger/Robert Poulton/Rudolf Schasching/Sir Dirk Bogarde/Glyndebourne Chorus/London Philharmonic Orchestra/Franz Welser-Mo¨st
Time: 2:39     Size: 4MB
4

Faust - Acte II - Sce`ne 2 : Avant De Quitter Ces Lieux (Valentin)

  by  Michel Plasson - Thomas Hampson - Orchestre Du Capitole De Toulouse
Time: 3:36     Size: 5MB
5

He´rodiade, ACTE 2, 1er Tableau, Sce`ne 5: Ce breuvage pourrait me donner un tel re^ve (He´rode)

  by  Cheryl Studer/Nadine Denize/Martine Olmeda/Ben Heppner/Thomas Hampson/Jose´ Van Dam/Marcel Vanaud/Jean-Philippe Courtis/Jean-Paul Fouche´court/Choeur du Capitole de Toulouse/ Sociedad Coral de Bilbao/Orchestre du Capitole de Toulouse/Michel Plasson
Time: 3:53     Size: 5MB
6

Don Carlos, ACTE 4, Deuxie`me Tableau: Carlos, e´coute ... (Rodrigue)

  by  Thomas Hampson/Antonio Pappano/Orchestre de Paris
Time: 4:00     Size: 5MB
7

Il Barbiere di Siviglia: Largo al factotum (Act 1)

  by  Thomas Hampson/Orchestra of St Luke's/Sir Roger Norrington
Time: 5:01     Size: 7MB
8

L'ultimo ricordi

  by  Thomas Hampson/Geoffrey Parsons
Time: 4:47     Size: 7MB
9

Oh! quand je dors S282

  by  Thomas Hampson/Geoffrey Parsons
Time: 5:08     Size: 7MB
10

Dichterliebe Op. 48: Im Rhein, im heiligen Strome

  by  Thomas Hampson/Geoffrey Parsons
Time: 2:18     Size: 3MB
11

Dichterliebe Op. 48: Ich grolle nicht

  by  Thomas Hampson/Geoffrey Parsons
Time: 1:41     Size: 2MB
12

Roses of Picardy

  by  Thomas Hampson/Armen Guzelimian
Time: 4:20     Size: 6MB
13

Beautiful Dreamer

 
Time: 3:53     Size: 5MB
14

Johnny Johnson: Johnny's Song: 'When man was first created'

  by  Thomas Hampson/London Sinfonietta/John McGlinn
Time: 3:22     Size: 5MB
15

Du Barry was a Lady: It was written in the stars

  by  Thomas Hampson/Ambrosian Chorus/London Symphony Orchestra/John McGlinn
Time: 2:53     Size: 4MB
16

The Last Time I Saw Paris

  by  Thomas Hampson/London Sinfonietta/John McGlinn
Time: 4:26     Size: 6MB
17

Kiss Me, Kate, Act II: Where is the life that late I led? (Petruchio) [orch. Don Walker]

  by  Dame Josephine Barstow/Thomas Hampson/Kim Criswell/George Dvorsky/Karla Burns/Damon Evans/Ambrosian Singers/London Sinfonietta/John McGlinn
Time: 4:45     Size: 7MB
18

Annie Get Your Gun, Act II: Anything you can do (Frank, Annie)

  by  Kim Criswell/Thomas Hampson/Jason Graae/Rebecca Luker/Alfred Marks/London Sinfonietta/John McGlinn
Time: 3:22     Size: 5MB
19

If I Can't Love Her

 
Time: 4:22     Size: 6MB

-= Featured Artist | kazaa.com =-

Lilly Allen

What happens when the pretty, doll-faced daughter of a famous British comedian drops out of high school, deals E for a living, becomes famous on MySpace for a few original songs and then receives the creative freeway from a record company to release her own album?

Lily Allen happens. She started off on MySpace, reaped in the fans by marketing her own mix tapes, released her debut album on a 12” vinyl before the full CD came out… she’s the Little Brat That Could. With her debut single, Smile, a vindictive, horror revenge story with lollipop beats and a touch of eclectic soul, Lily won the BMI Songwriter of the Year award and became a full blown star. Her debut Album, Alright, Still, released in 2006, touched audiences with its mellow, bratty sweetness and a personal sense of irony. Lily speaks the everyday truth of the everyday lives of everyday women. From dealing with stony brothers to creeps at the bar, Lily’s little-sisterly passive aggression is dealt out with lyrical wit and bassy, eclectic sounds inspired by Jamaican ska.

Her video clips are full of her op-shop personality and Mockney charm. Abound with sweet little visual gags, stoner Muppets and bright, retro aesthetics, they reflect her genuine sense of self and her London Street Pop sound. The film noir video for Littlest Thing shows Lily’s darker side. It’s a melancholy, sweet and sad, with a classical melody and the usual sharp delivery of biting lyrics. Like all of her music, she’s emotionally authentic, without being angsty or emo. There’s almost a sense of 'morning after' apathy, like she’s already had a good cry, gotten trashed, and is telling the story as she nurses a hangover the next day- laughing dryly at the memory of her own misery. She’s also wicked honest about everything, on her MySpace, in interviews, and most importantly, in her music. It makes all the difference. Perhaps that is why she was voted third Coolest Person of the Year. She’s just plodding along, having a good time and treasuring the color of her life. Sweet of her to share it with us.

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