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What A Diff'rence A Day Makes!

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Dinah Washington comp. William F. Collins, Jack Wolf Fine and Marie Mose

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What A Diff'rence A Day Makes!

Download What A Diff'rence A Day Makes! by Dinah Washington comp. William F. Collins, Jack Wolf Fine and Marie Mose
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What A Diff'rence A Day Makes!

Dinah Washington comp. William F. Collins, Jack Wolf Fine and Marie Mose UMG
Released: Feb 20, 2008
1

I Remember You

  by  Dinah Washington comp. Victor Schertzinger and Johnny Mercer cond. Belford Hendricks
Time: 2:48     Size: 4MB
2

I Thought About You

  by  Dinah Washington comp. Johnny Mercer and Jimmy Heusen cond. Belford Hendricks
Time: 2:34     Size: 4MB
3

That's All There Is to That

  by  Dinah Washington comp. Clyde Otis and Kelly Owens cond. Belford Hendricks
Time: 2:19     Size: 3MB
4

I Won't Cry Anymore

  by  Dinah Washington comp. Al Frisch and Fred Wise orchestra Belford Hendricks' Orchestra
Time: 2:21     Size: 3MB
5

I'm Thru With Love

  by  Dinah Washington comp. Gus Kahn, Joseph A. Livingston and Matty Malneck
Time: 2:29     Size: 3MB
6

Cry Me A River

  by  Dinah Washington comp. Arthur Hamilton cond. Belford Hendricks
Time: 2:30     Size: 3MB
7

What A Diff'rence A Day Made

  by  Dinah Washington comp. Maria Grever and Stanley Adams
Time: 2:31     Size: 3MB
8

Nothing in the World

  by  Dinah Washington comp. Brook Benton, Belford Hendricks and Clyde Otis
Time: 3:18     Size: 5MB
9

Manhattan

  by  Dinah Washington comp. Richard Rodgers and Lorenz Hart cond. Belford Hendricks
Time: 4:19     Size: 6MB
10

Time After Time

  by  Dinah Washington comp. Sammy Cahn and Jule Styne cond. Belford Hendricks
Time: 2:30     Size: 3MB
11

It's Magic

  by  Dinah Washington comp. Sammy Cahn and Jule Styne cond. Belford Hendricks
Time: 2:41     Size: 4MB
12

A Sunday Kind Of Love

  by  Dinah Washington comp. Barbara Belle, Anita Leonard, Louis Prima and Stan Rhodes
Time: 2:36     Size: 4MB
13

Time After Time

  by  Dinah Washington comp. Sammy Cahn and Jule Styne orchestra Belford Hendricks' Orchestra
Time: 2:19     Size: 3MB
14

Come On Home

  by  Dinah Washington comp. Juanita Hill and Dinah Washington
Time: 2:31     Size: 3MB
15

It Could Happen To You

  by  Dinah Washington comp. Johnny Burke and Jimmy Heusen cond. Belford Hendricks
Time: 3:06     Size: 4MB
16

Studio Dialogue

 
Time: 45s     Size: 1MB

-= Featured Artist | kazaa.com =-

Rihanna - Carribbean Barbie TM


It’s raining Rihanna, or as she is known to her close friends, Caribbean Barbie TM. The cameraman’s wet dream, with her pretty doll-faced features and petit albeit juicy figure, is a photogenic goddess with all the aesthetic appeal of a Disney princess. Perhaps that's was caught megastar producer Evan Rodgers eye when he was introduced to the aspiring entertainer in 2005 while on holiday in Barbados with his family. Rihanna was fifteen, with bronze skin, plump, expressive lips and sea-green eyes. She was a frequent winner of local beauty and talent contests and on meeting her, the dollar sign cha-chinged behind Rodger’s eyes and he brought her back to the States to make her the billboard empress she is today. With the help of the man who produced such acts as N*SYNC, Christina Aguilera and Jessica Simpson, it’s no wonder she so stylishly broke into the pop scene. Jay-Z signed her to his record label Def Jam Recordings and the rest is history.

Her debut hit Pon de Reply, in 2005 was an instant success. It’s a salty dance hit with Caribbean rhythm and has Rihanna in all her glittering glory, introducing the world to her spectacular torso tricks and her characteristic know it all smirk. Her second album, Girl Like Me, was released in 2006. S.O.S. has our tiny dancer begging to be rescued from her tropical hip hop island of mediocrity. Unfaithful, written by R&B golden boy Ne-Yo, is a tragic ballad with melodramatic harmonies. Rihanna plays the part well, her timber, nasal voice conveying guilt, pity and the inner pain of a teenager trying and failing to sing Rhythm and Blues. In 2007, the Gods of Pop put their heads together to produce Good Girl Gone Bad. Jay-Z enlisted Ne-Yo, Timberland and Stargate. Even Justin Timberlake got in on the action, co-writing and providing backup vocals for Rehab. Rihanna is portrayed in all her pseudo-mechanic class, swooning over car hoods and alternating between baby-doll dresses and bad-ass leather ensembles. But most of the album was outshined by the billboard earthquake that is Umbrella. The song, originally written for Britney Spears, spent seven consecutive weeks at the top of the Billboard 100 and lorded over charts worldwide. It invaded countries, ransacked radio stations and pillaged tween pockets like a Caribbean Pirate. It’s Raining, It’s Pouring has been replaced as the weather’s national anthem, and yes, the artist has even sprouted her own line of designer… umbrellas. It's considered Rihanna’s best effort to date, with its epic scale and a chorus that inserts itself into your head and never. Lets. Go. Rihanna was born for stardom, and she glitters in silver paint, grinning wickedly to herself because she knows it. The world is her umbrella.

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