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Album

The Fantasticks

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The Fantasticks

Jerry Orbach, Rita Gardner, Kenneth Nelson, William Larsen and Hugh Thomas UMG

Released: Feb 20, 2008

1		Overture by Orchestra [Orchestra] orchestra Orchestra [Orchestra] Time: 2:00 Size: 3MB
2		Try To Remember by Jerry Orbach comp. Tom Jones and Harvey Schmidt Time: 2:44 Size: 4MB
3		Much More by Rita Gardner comp. Tom Jones and Harvey Schmidt Time: 2:33 Size: 4MB
4		Metaphor by Kenneth Nelson and Rita Gardner comp. Tom Jones and Harvey Schmidt Time: 4:13 Size: 6MB
5		Never Say No by Hugh Thomas and William Larsen comp. Tom Jones and Harvey Schmidt Time: 2:13 Size: 3MB
6		It Depends On What You Pay by Jerry Orbach and William Larsen comp. Tom Jones and Harvey Schmidt Time: 4:19 Size: 6MB
7		You Wonder How These Things Begin by Jerry Orbach comp. Tom Jones and Harvey Schmidt Time: 1:12 Size: 2MB
8		Soon It's Gonna Rain by Keith Nelson and Rita Gardner comp. Tom Jones and Harvey Schmidt Time: 4:36 Size: 6MB
9		The Rape Ballet / Happy Ending by Jerry Orbach, Rita Gardner, Kenneth Nelson, William Larsen, Hugh Thomas, Thomas Bruce and George Curley Time: 3:12 Size: 5MB
10		This Plum Is Too Ripe by Rita Gardner, Kenneth Nelson, William Larsen and Hugh Thomas Time: 3:34 Size: 5MB
11		I Can See It by Kenneth Nelson and Jerry Orbach comp. Tom Jones and Harvey Schmidt Time: 4:04 Size: 6MB
12		Plant A Radish by Hugh Thomas and William Larsen comp. Tom Jones and Harvey Schmidt Time: 2:30 Size: 4MB
13		Round And Round by Jerry Orbach and Rita Gardner comp. Tom Jones and Harvey Schmidt Time: 5:58 Size: 8MB
14		There Is A Curious Paradox by Jerry Orbach comp. Tom Jones and Harvey Schmidt Time: 31s Size: 829KB
15		They Were You by Rita Gardner and Kenneth Nelson comp. Tom Jones and Harvey Schmidt Time: 2:42 Size: 4MB
16		Try To Remember (Reprise) Time: 2:05 Size: 3MB

-= Featured Artist | kazaa.com =-

A Teen Love Story

Taylor+Swift is bringing pop back into country music. Discovered in a café, performing songs on her acoustic guitar, Taylor was signed onto Big Machine Records and released her debut album, self titled, at sixteen. She’s a pretty little slip of a thing, performing folksy songs with country blue lyrics and nostalgic acoustics. A few of her tracks delve more into a pop-rock sound, and the petit blonde performs with a sweet, southern voice made for the genre. Her debut single, Jim McGraw is a perfect example of how Taylor incorporates her own experiences of teen love and heartbreak into her sentimental songwriting. The song peaked at no.1 at Billboard Top Country Albums and no.5 at Billboard 200, and the album has since sold over three million copies. Tear drops on my Guitar tells a high-school story we all know way too well - falling in love with the ‘best friend’ and being his shoulder to cry on as he pines for someone that’s not you. Her honest portrayal of unreciprocated love, her emotional frailty, naivety and vulnerability speaks to teens worldwide. Just look at the comments for her video clips on YouTube, where viewers identify with Taylor’s heartbreak, creating a sort of Unrequited Anonymous support group, as fans share their own stories of pining and loneliness. In 2008, Taylor released her second album, Fearless. Its lead song - the cherry on the top of the charts Love Story touches on every single girlish fantasy of romance. From the golden locked princess in the castle, Romeo+Juliet references in the lyrics, secret liaisons in the forest at night with a tall, dark handsome hero right out of Austen. Change from the AT&T TEAM USA Soundtrack, is an inspiring pop-rock anthem. Critics have agreed Taylor is beyond her years, musically, and that her musical maturing and gentle handling of her music has enhanced the album, making it one of the best mainstream pop albums of the year. While failing to sound original, Taylor makes up for it with her fearlessly truthful and intimate confessions, a lack of lyrical inhibition and a flowery approach to the country pop formula. As far as teen pop goes, Taylor is truly refreshing.

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