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Nina Simone's Finest Hour
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Nina Simone comp. William Robison
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Nina Simone comp. William Robison
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Nina Simone's Finest Hour
Preview All Songs
Nina Simone's Finest Hour
Nina Simone comp. William Robison
UMG
Released: Feb 20, 2008
(C) 2000 The Verve Music Group, a Division of UMG Recordings, Inc.
1
Love Me Or Leave Me
by
Nina Simone comp. Walter Donaldson and Gus Kahn
Time:
4:06
Size:
6MB
2
Wild Is The Wind
by
Nina Simone comp. Ned Washington and Dimitri Tiomkin
Time:
6:59
Size:
10MB
3
I Put A Spell On You
by
Nina Simone comp. Jay Hawkins cond. Hal Mooney
Time:
2:37
Size:
4MB
4
Work Song
by
Nina Simone comp. Nat Adderley and Oscar Brown, Jr. cond. Hal Mooney
Time:
3:08
Size:
4MB
5
Don't Explain
by
Nina Simone comp. Billie Holiday and Arthur Herzog Jr. cond. Horace Ott
Time:
4:22
Size:
6MB
6
The Other Woman
by
Nina Simone comp. Jessie Mae Robinson
Time:
3:05
Size:
4MB
7
Mississippi Goddam
by
Nina Simone comp. Nina Simone
Time:
4:55
Size:
7MB
8
Four Women
by
Nina Simone comp. Nina Simone
Time:
4:26
Size:
6MB
9
Pirate Jenny
by
Nina Simone comp. Marc Blitzstein, Bertolt Brecht and Kurt Weill
Time:
6:41
Size:
9MB
10
I Loves You Porgy
by
Nina Simone comp. Ira Gershwin, George Gershwin and Du Bose Heyward
Time:
2:32
Size:
4MB
11
This Year's Kisses
by
Nina Simone comp. Irving Berlin cond. Horace Ott
Time:
3:00
Size:
4MB
12
Little Girl Blue
by
Nina Simone comp. Lorenz Hart and Richard Rodgers
Time:
4:21
Size:
6MB
13
Don't Let Me Be Misunderstood
by
Nina Simone comp. Bennie Benjamin, Gloria Caldwell and Sol Marcus cond. Horace Ott
Time:
2:48
Size:
4MB
14
Ne Me Quitte Pas
by
Nina Simone comp. Jacques Brel and Jacques Brel cond. Hal Mooney
Time:
3:38
Size:
5MB
15
Don't Smoke In Bed
Time:
5:24
Size:
7MB
-= Featured Artist | kazaa.com =-
A Teen Love Story
Taylor+Swift
is bringing pop back into country music. Discovered in a café, performing songs on her acoustic guitar, Taylor was signed onto Big Machine Records and released her debut album, self titled, at sixteen. She’s a pretty little slip of a thing, performing folksy songs with country blue lyrics and nostalgic acoustics. A few of her tracks delve more into a pop-rock sound, and the petit blonde performs with a sweet, southern voice made for the genre. Her debut single, Jim McGraw is a perfect example of how Taylor incorporates her own experiences of teen love and heartbreak into her sentimental songwriting. The song peaked at no.1 at Billboard Top Country Albums and no.5 at Billboard 200, and the album has since sold over three million copies. Tear drops on my Guitar tells a high-school story we all know way too well - falling in love with the ‘best friend’ and being his shoulder to cry on as he pines for someone that’s not you. Her honest portrayal of unreciprocated love, her emotional frailty, naivety and vulnerability speaks to teens worldwide. Just look at the comments for her video clips on YouTube, where viewers identify with Taylor’s heartbreak, creating a sort of Unrequited Anonymous support group, as fans share their own stories of pining and loneliness. In 2008, Taylor released her second album, Fearless. Its lead song - the cherry on the top of the charts Love Story touches on every single girlish fantasy of romance. From the golden locked princess in the castle, Romeo+Juliet references in the lyrics, secret liaisons in the forest at night with a tall, dark handsome hero right out of Austen. Change from the AT&T TEAM USA Soundtrack, is an inspiring pop-rock anthem. Critics have agreed Taylor is beyond her years, musically, and that her musical maturing and gentle handling of her music has enhanced the album, making it one of the best mainstream pop albums of the year. While failing to sound original, Taylor makes up for it with her fearlessly truthful and intimate confessions, a lack of lyrical inhibition and a flowery approach to the country pop formula. As far as teen pop goes, Taylor is truly refreshing.
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