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Dinah Washington: Finest Hour

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Dinah Washington comp. Noël Coward cond. Quincy Jones

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Dinah Washington: Finest Hour

Download Dinah Washington: Finest Hour by Dinah Washington comp. Noël Coward cond. Quincy Jones
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Dinah Washington: Finest Hour

Dinah Washington comp. Noël Coward cond. Quincy Jones UMG
Released: Feb 20, 2008
1

Evil Gal Blues

  by  Dinah Washington comp. Leonard Feather and Lionel Hampton
Time: 2:52     Size: 4MB
2

Blow Top Blues

  by  Lionel Hampton And His Septet and Dinah Washington comp. Leonard Feather and Jane Feather
Time: 3:18     Size: 5MB
3

West Side Baby

  by  Dinah Washington comp. Dallas Bartley and John Cameron orchestra Rudy Martin Trio
Time: 2:56     Size: 4MB
4

Long John Blues

  by  Dinah Washington comp. Tommy George and Dinah Washington
Time: 3:11     Size: 4MB
5

Baby Get Lost

  by  Dinah Washington comp. Leonard Feather orchestra Teddy Stewart Orchestra
Time: 2:52     Size: 4MB
6

Trouble In Mind

  by  Dinah Washington and Ben Webster comp. Richard M. Jones orchestra Jimmy Cobb's Orchestra
Time: 2:48     Size: 4MB
7

Cold Cold Heart

  by  Dinah Washington comp. Hank Williams orchestra Nook Shrier Orchestra
Time: 3:19     Size: 5MB
8

T.V. Is The Thing This Year

  by  Dinah Washington comp. William Sanford and Phil Medley
Time: 2:23     Size: 3MB
9

I'll Remember April

  by  Dinah Washington and Clifford Brown comp. Gene Paul, Don Raye and Patricia Johnston
Time: 11:49     Size: 16MB
10

Teach Me Tonight

  by  Dinah Washington comp. Sammy Cahn and Gene Paul cond. Harold Mooney & His Orchestra
Time: 2:45     Size: 4MB
11

I Just Couldn't Stand It No More

  by  Dinah Washington comp. Mamie Thomas, Crawford and Leroy Kirkland
Time: 2:58     Size: 4MB
12

I Could Write A Book

  by  Dinah Washington comp. Lorenz Hart and Richard Rodgers
Time: 4:23     Size: 6MB
13

Blue Gardenia

  by  Dinah Washington comp. Lester Lee and Bob Russell
Time: 5:17     Size: 7MB
14

What A Diff'rence A Day Made

  by  Dinah Washington comp. Stanley Adams and Maria Grever
Time: 2:27     Size: 3MB
15

Unforgettable

  by  Dinah Washington comp. Irving Gordon cond. Belford Hendricks
Time: 2:42     Size: 4MB
16

Baby (You've Got What It Takes)

  by  Dinah Washington and Brook Benton comp. Clyde Otis and Murray Stein
Time: 2:43     Size: 4MB
17

This Bitter Earth

  by  Dinah Washington comp. Clyde Otis cond. Belford Hendricks
Time: 2:25     Size: 3MB
18

Mad About The Boy

  by  Dinah Washington comp. Noe¨l Coward cond. Quincy Jones
Time: 2:47     Size: 4MB

Other albums by Dinah Washington comp. Noël Coward cond. Quincy Jones:

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Hey P!nk! it's me.


My name is Emanuel remember Hug Day in Doylestown,PA. Remember hanging out at the “barn” “apartment” “pebble hill”  so we hungout with and knew P!nk growing up. Born Alecia Moore on September 8, 1979,  in Doylestown, PA, P!nk received her nickname as a child, years before she dyed her hair.

P!nk grew up in a musical family and was a regular on the Philadelphia club scene by the age of 13, first as a dancer and then as a backing vocalist for the local hip-hop group Schoolz of Thought. At 14, she began writing her own songs; the same year, a local DJ at Club Fever began inviting her on-stage to sing a song every Friday. P!nk was spotted one night by an executive for MCA Records, who asked her to audition for an R&B group called Basic Instinct. Although P!nk's strong vocals landed her the gig, the group imploded not long after.

She was quickly recruited for a female R&B trio called Choice, which signed to L.A. Reid and Babyface's LaFace  label on the strength of their demo; however, they too disbanded due to differences over musical direction.  During Choice's brief studio time, producer Daryl Simmons asked P!nk to write a bridge section for the song "Just to Be Loving You." Impressed with the results, P!nk rediscovered her songwriting muse, and an equally  impressed L.A. Reid soon gave her a solo deal with LaFace. P!nk recorded her solo debut, Can't Take Me Home,  with a variety of songwriting partners and dance-pop and R&B producers. Released in 2000, the album was a double-platinum hit; it spun off three Top Ten singles in "There U Go," "Most Girls," and "You Make Me Sick." She toured that summer as the opening act for *N Sync, but soon found herself tired of being pigeonholed as strictly a teen act despite her sassy, forthright persona.

P!nk  took part in the remake of Patti LaBelle's "Lady Marmalade" featured on the Moulin Rouge soundtrack, which also featured powerhouse divas Christina Aguilera, Mya, and Lil' Kim. The song was a massive hit, topping the charts in both the U.S. and U.K. while expanding P!nk's own audience. Toward the end of the year, P!nk released her next single, "Get the Party Started," which climbed into the Top Five and became the singer's most inescapable hit to date. Her accompanying sophomore album, M!ssundaztood, quickly went double platinum; it boasted a more personal voice and an eclectic sound, plus heavy contributions from ex-4 Non Blondes singer Linda Perry, who helped bring some more rock muscle to P!nk's sound (as did guest appearances by Steven Tyler and Richie Sambora). M!ssundaztood attracted positive critical notices as well, and its second single, "Don't Let Me Get Me," became another fast-rising Top Ten hit.

P!nk next issued Try This in November 2003. The album continued her progression toward more rock-oriented material, due in part to the songwriting collaboration of Rancid frontman Tim Armstrong on eight of the album's tracks. Try This' lead single, "Trouble," cracked the upper regions of Billboard's Top 40 and earned P!nk a Grammy Award for Best Female Rock Vocal Performance. On the home front, P!nk wed motocross racer Carey Hart  whom she had initially met at 2001's X-Games -- on January 7, 2006, in Costa Rica. Her next album, I'm Not Dead, appeared that April; its first single, "Stupid Girls," quickly became a hit, while "Who Knew" and "U + Ur Hand" both cracked the Top Ten. I'm Not Dead reached platinum status in several countries and helped ramp up anticipation for P!nk's follow-up, Funhouse, which arrived in October 2008. "So What," the album's leadoff single, became her first number one hit since "Lady Marmalade."

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